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The Wizard of Oz – Not in Kansas Anymore Slots - Play for Free Now

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The Wizard of Oz – Not in Kansas Anymore Slots - Play for Free Now

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This app is only available on the App Store for iOS devices. Screenshots iPhone iPad iMessage. Because of a perceived need to attract a youthful audience through appealing to modern fads and styles, the score had featured a song called " The Jitterbug ", and the script had featured a scene with a series of musical contests.

A spoiled, selfish princess in Oz had outlawed all forms of music except classical and operetta , and went up against Dorothy in a singing contest in which her swing style enchanted listeners and won the grand prize.

This part was initially written for Betty Jaynes. Another scene, which was removed before final script approval and never filmed, was a concluding scene back in Kansas after Dorothy's return.

Hunk the Kansan counterpart to the Scarecrow is leaving for agricultural college and extracts a promise from Dorothy to write to him. The implication of the scene is that romance will eventually develop between the two, which also may have been intended as an explanation for Dorothy's partiality for the Scarecrow over her other two companions.

This plot idea was never totally dropped, but is especially noticeable in the final script when Dorothy, just before she is to leave Oz, tells the Scarecrow, "I think I'll miss you most of all.

Further, Dorothy lived inside a farmhouse which had its paint blistered and washed away by the weather, giving it an air of grayness.

The house and property were situated in the middle of a sweeping prairie where the grass was burnt gray by harsh sun. Aunt Em and Uncle Henry were "gray with age".

Effectively, the use of monochrome sepia tones for the Kansas sequences was a stylistic choice that evoked the dull and gray countryside.

Consequently, it took the studio's art department almost a week to settle on the final shade of yellow used for the yellow brick road.

LeRoy had always insisted that he wanted to cast Judy Garland to play Dorothy from the start; however, evidence suggests that negotiations occurred early in pre-production for Shirley Temple to be cast as Dorothy, on loan from 20th Century Fox.

The tale is almost certainly untrue, as Harlow died in , before MGM had even purchased the rights to the story.

Despite this, the story appears in many film biographies including Temple's own autobiography. The documentary The Wonderful Wizard of Oz: The Making of a Movie Classic states that Mervyn LeRoy was under pressure to cast Temple, then the most popular child star, but at an unofficial audition, MGM musical mainstay Roger Edens listened to her sing and felt that an actress with a different style was needed; a 50th anniversary documentary for the film suggested that Temple, then years-old, was slightly too young for the part.

Newsreel footage is included in which Temple wisecracks, "There's no place like home", suggesting that she was being considered for the part at that time.

Actress Deanna Durbin , who was under contract to Universal Studios , was also considered for the part of Dorothy. Durbin, at the time, far exceeded Garland in film experience and fan base and both had co-starred in a two-reeler titled Every Sunday.

The film was most notable for exhibiting Durbin's operatic style of singing against Garland's jazzier style.

Durbin was possibly passed over once it was decided to bring on Jaynes, also an operatic singer, to rival Garland's jazz in the aforementioned discarded subplot of the film.

Now unhappy with his role as the Tin Man reportedly claiming, "I'm not a tin performer; I'm fluid" , Bolger convinced producer Mervyn LeRoy to recast him in the part he so desired.

Fields was originally chosen for the role of the Wizard, a role turned down by Ed Wynn as he thought the part was too small, but the studio ran out of patience after protracted haggling over Fields' fee; instead, another contract player, Frank Morgan , was cast on September An extensive talent search produced over a hundred little people to play Munchkins; this meant that most of the film's Oz sequences would have to already be shot before work on the Munchkinland sequence could begin.

Meinhardt Raabe , who played the coroner, revealed in the documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrian , had to design over costumes for the Munchkin sequences.

They then had to photograph and catalog each Munchkin in his or her costume so that they could correctly apply the same costume and makeup each day of production.

Gale Sondergaard was originally cast as the Wicked Witch. She became unhappy when the witch's persona shifted from sly and glamorous thought to emulate the wicked queen in Disney's Snow White and the Seven Dwarfs into the familiar "ugly hag".

She turned down the role and was replaced on October 10, , just three days before filming started, by MGM contract player Margaret Hamilton.

Sondergaard said in an interview for a bonus feature on the DVD that she had no regrets about turning down the part, and would go on to play a glamorous villain in Fox's version of Maurice Maeterlinck 's The Blue Bird in ; Margaret Hamilton played a role remarkably similar to the Wicked Witch in the Judy Garland film Babes in Arms According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop.

According to legend, Morgan later discovered a label in the coat indicating it had once belonged to Baum, that Baum's widow confirmed this, and that the coat was eventually presented to her.

But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a concocted studio rumor.

Filming commenced October 13, , on the MGM lot in Culver City, California , under the direction of Richard Thorpe replacing original director Norman Taurog , who filmed only a few early Technicolor tests and was then reassigned.

Thorpe initially shot about two weeks of footage nine days in total involving Dorothy's first encounter with the Scarecrow, as well as a number of sequences in the Wicked Witch's castle, such as Dorothy's rescue which, though unreleased, comprises the only footage of Ebsen's Tin Man.

According to most sources, ten days into the shoot, Ebsen suffered a reaction to the aluminum powder makeup he wore. He was hospitalized in critical condition, and subsequently was forced to leave the project; in a later interview included on the DVD release of The Wizard of Oz , he recalled the studio heads appreciated the seriousness of his illness only after seeing him in the hospital.

Filming halted while a replacement for him was found. His replacement, Jack Haley , simply assumed he had been fired. LeRoy, after reviewing the footage and feeling Thorpe was rushing the production, adversely affecting the actors' performances, had Thorpe replaced.

During reorganization on the production, George Cukor temporarily took over, under LeRoy's guidance. Initially, the studio had made Garland wear a blond wig and heavy "baby-doll" makeup, and she played Dorothy in an exaggerated fashion; now, Cukor changed Garland's and Hamilton's makeup and costumes, and told Garland to "be herself".

This meant that all the scenes Garland and Hamilton had already completed had to be discarded and reshot. The makeup used for Haley was quietly changed to an aluminum paste, with a layer of clown white greasepaint underneath to protect his skin; although it did not have the same dire effect on Haley, he did at one point suffer an eye infection from it.

In addition, Bolger's original recording of " If I Only Had a Brain " had been far more sedate compared to the version heard in the film; during this time, Cukor and LeRoy decided that a more energetic rendition would better suit Dorothy's initial meeting with the Scarecrow initially, it was to contrast with his lively manner in Thorpe's footage , and was rerecorded as such.

At first thought to be lost for over seven decades, a recording of this original version was rediscovered in Cukor did not actually shoot any scenes for the film, merely acting as something of a "creative advisor" to the troubled production, and, because of his prior commitment to direct Gone with the Wind , he left on November 3, , when Victor Fleming assumed directorial responsibility.

As director, Fleming chose not to shift the film from Cukor's creative realignment, as producer LeRoy had already pronounced his satisfaction with the new course the film was taking.

Production on the bulk of the Technicolor sequences was a long and exhausting process that ran for over six months, from October to March Most of the cast worked six days a week and had to arrive as early as 4: Bolger later said that the frightening nature of the costumes prevented most of the Oz principals from eating in the studio commissary; [30] the toxicity of Hamilton's copper-based makeup forced her to eat a liquid diet on shoot days.

All of the Oz sequences were filmed in three-strip Technicolor. In Hamilton's exit from Munchkinland, a concealed elevator was arranged to lower her below stage as fire and smoke erupted to dramatize and conceal her exit.

The first take ran well but in the second take the flames did not go out in time. The flames set fire to her green, copper-based face paint, causing third-degree burns on her hands and face.

She spent three months healing before returning to work. On February 12, , Fleming hastily replaced Cukor in directing Gone with the Wind ; the next day, King Vidor was assigned as director by the studio to finish the filming of The Wizard of Oz mainly the sepia-toned Kansas sequences, including Garland's singing of " Over the Rainbow " and the tornado.

In later years, when the film became firmly established as a classic, Vidor chose not to take public credit for his contribution until after the death of his friend Fleming in Principal photography concluded with the Kansas sequences on March 16, ; nonetheless, reshoots and pick-up shots were filmed throughout April and May and into June, under the direction of producer LeRoy.

After the deletion of the "Over the Rainbow" reprise during subsequent test screenings in early June, Garland had to be brought back one more time to reshoot the "Auntie Em, I'm frightened!

After Hamilton's torturous experience with the Munchkinland elevator, she refused to do the pick-ups for the scene in which she flies on a broomstick that billows smoke, so LeRoy chose to have stand-in Betty Danko perform the scene, instead; as a result, Danko was severely injured doing the scene due to a malfunction in the smoke mechanism.

At this point, the film began a long arduous post-production. Herbert Stothart had to compose the film's background score, while A. Arnold Gillespie had to perfect the various special effects that the film required, including many of the rear projection shots.

The MGM art department also had to create the various matte paintings for the background of many of the scenes. One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor.

Each frame was to be hand-tinted to maintain the sepia tone; however, because this was too expensive and labor-intensive, it was abandoned and MGM used a simpler and less expensive variation of the process.

During the reshoots in May, the inside of the farm house was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame; once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extras , and the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting.

This also meant that the reshoots provided the first proper shot of Munchkinland; if one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy as she comes to a stop at the foot of the small bridge.

Test screenings of the film began on June 5, LeRoy and Fleming knew that at least 15 minutes needed to be deleted to get the film down to a manageable running time; the average film in ran for just about 90 minutes.

The Witch Is Dead ", and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring.

One song that was almost deleted was "Over the Rainbow". MGM had felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children.

The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they all eventually won.

The song went on to win the Academy Award for Best Song of the Year, and came to be identified so strongly with Garland herself that she made it her theme song.

After the preview in San Luis Obispo in early July, the film was officially released in August at its current minute running time.

Arnold Gillespie was the special effects director for the film. The tornado scene was especially costly. Gillespie used muslin cloth to make the tornado flexible after a previous attempt with rubber failed.

He hung the 35 feet of muslin to a steel gantry and connected the bottom to a rod. By moving the gantry and rod, he was able to create the illusion of a tornado moving across the stage.

Fuller's Earth was sprayed from both the top and bottom using compressed air hoses to complete the effect. The Cowardly Lion and Scarecrow masks were made of foam latex makeup made by makeup artist Jack Dawn , who was one of the first makeup artists to use this technique.

It took an hour each day to slowly peel the glued-on mask from Bolger's face. Hamilton was wearing her green makeup at the time, which was usually removed with acetone due to the toxicity of its copper content.

In this case, due to Hamilton's burns, makeup artist Jack Young removed the makeup with alcohol instead to prevent infection. The film is widely noted for its musical selections and soundtrack.

The song was ranked first in two lists: Georgie Stoll was associate conductor and screen credit was given to George Bassman , Murray Cutter , Ken Darby and Paul Marquardt for orchestral and vocal arrangements as usual, Roger Edens was also heavily involved as an unbilled musical associate to Freed.

The songs were recorded in the studio's scoring stage before filming. Several of the recordings were completed while Ebsen was still with the cast.

Therefore, while he had to be dropped from the cast due to illness from the aluminum powder makeup, his singing voice remained in the soundtrack as noted in the notes for the CD Deluxe Edition.

In the group vocals of "We're Off to See the Wizard", his voice can be heard. Haley spoke with a distinct Boston accent , thus did not pronounce the r in wizard.

By contrast, Ebsen was a Midwesterner , like Garland, and pronounced it. Haley rerecorded Ebsen's solo parts later. The song "The Jitterbug", written in a swing style, was intended for the sequence in which the group is journeying to the Witch's castle.

Due to time constraints, the song was cut from the final theatrical version. The film footage for the song has been lost, although silent home film footage of rehearsals for the number has survived.

The sound recording for the song, however, is intact and was included in the two-CD Rhino Records deluxe edition of the film soundtrack, as well as on the VHS and DVD editions of the film.

A reference to "The Jitterbug" remains in the film: Another musical number cut before release occurred right after the Wicked Witch of the West was melted and before Dorothy and her friends returned to the Wizard.

This was a reprise of "Ding-Dong! The Witch is Dead! The Wicked Witch is dead! Today, the film of this scene is also lost and only a few stills survive, along with a few seconds of footage used on several reissue trailers.

The entire audio still exists and is included on the two-CD Rhino Record deluxe edition of the film soundtrack.

In addition, a brief reprise of "Over the Rainbow" was intended to be sung by Garland while Dorothy is trapped in the Witch's castle, but it was cut because it was considered too emotionally intense.

The original soundtrack recording still exists, however, and was included as an extra in all home media releases from onwards.

Extensive edits in the film's final cut removed vocals from the last portion of the film. However, the film was fully underscored , with instrumental snippets from the film's various leitmotifs throughout.

There was also some recognizable popular music, including:. The film's first sneak preview was held in San Bernardino, California.

They continued to perform there after each screening for a week, extended in Rooney's case for a second week and in Garland's to three with Oz co-stars Ray Bolger and Bert Lahr replacing Rooney for the third and final week.

The film opened nationwide on August 25, However, for all the risks and cost that MGM undertook to produce the film, it was considered at least more successful than anyone thought it would be.

The film had been enormously successful as a book, and it had also been a major stage hit, but previous attempts to bring it to the screen had been dismal failures.

The film received much acclaim upon its release. Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters.

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